Discourse, Bind 15,Oplag 2–31993 |
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Side 67
... gender prerogatives have been weakened - panics but he is not dead . - The contemporary production of " emotional masculinity ” ( an obsolete form of affect ) is a strategy of self - defense for the male subject . From a certain ...
... gender prerogatives have been weakened - panics but he is not dead . - The contemporary production of " emotional masculinity ” ( an obsolete form of affect ) is a strategy of self - defense for the male subject . From a certain ...
Side 74
... gender ? If we consider male tears within the spe- cific circumstances and the means through which they are rep- resented ( TV and the conventions of melodrama , the bunker - bedroom and the teepee as re - representations of a womanless ...
... gender ? If we consider male tears within the spe- cific circumstances and the means through which they are rep- resented ( TV and the conventions of melodrama , the bunker - bedroom and the teepee as re - representations of a womanless ...
Side 132
... gender personalities through a distinction between " positional ” and “ personal ” identification processes ( 173-90 ) . Women's mothering sets up an affective organization in boys that requires that they not only give up their primary ...
... gender personalities through a distinction between " positional ” and “ personal ” identification processes ( 173-90 ) . Women's mothering sets up an affective organization in boys that requires that they not only give up their primary ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York