Discourse, Bind 15,Oplag 2–31993 |
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Side 10
... gaze . The passage in which he does so locates the subject firmly within the field of vision and attributes to the camera / gaze a constitutive function : " What determines me , at the most pro- found level , in the visible , is the ...
... gaze . The passage in which he does so locates the subject firmly within the field of vision and attributes to the camera / gaze a constitutive function : " What determines me , at the most pro- found level , in the visible , is the ...
Side 13
... gaze and subject but between subject and gaze , it must necessarily determine not only how the subject but how the gaze is " seen . " Unfortunately , I accounted for the image / screen only in terms of the former . " Although Four ...
... gaze and subject but between subject and gaze , it must necessarily determine not only how the subject but how the gaze is " seen . " Unfortunately , I accounted for the image / screen only in terms of the former . " Although Four ...
Side 14
... gaze manifests itself most emphatically at a given moment of time will always be those which are most technologically , psychically , discursively , economically , politically , and culturally overdetermined and specified . However , as ...
... gaze manifests itself most emphatically at a given moment of time will always be those which are most technologically , psychically , discursively , economically , politically , and culturally overdetermined and specified . However , as ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York