Discourse, Bind 15,Oplag 2–31993 |
Fra bogen
Resultater 1-3 af 81
Side 178
... film audience have now been explicitly thematized in popular films that reflect on various forms of spectatorship . Here he addresses the politics of positionality that these films construct . For example , Corrigan writes : " King of ...
... film audience have now been explicitly thematized in popular films that reflect on various forms of spectatorship . Here he addresses the politics of positionality that these films construct . For example , Corrigan writes : " King of ...
Side 187
... film — an under- standing essential for truly appreciating French film on all levels , but an aspect often overlooked by film theorists . - The sections dealing with Dulac and Epstein are composed of three chapters , while four are ...
... film — an under- standing essential for truly appreciating French film on all levels , but an aspect often overlooked by film theorists . - The sections dealing with Dulac and Epstein are composed of three chapters , while four are ...
Side
Distributed for the British Film Institute bfi FILM CLASSICS CITIZEN KANE Laura Mulvey A fresh and original reading of what many have called the best film of all time , investigating the psychoanalytic structure that underlies the film ...
Distributed for the British Film Institute bfi FILM CLASSICS CITIZEN KANE Laura Mulvey A fresh and original reading of what many have called the best film of all time , investigating the psychoanalytic structure that underlies the film ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
11 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York