Discourse, Bind 15,Oplag 2–31993 |
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Side 46
... effect of continuity and intelligibility while dispersing story along nodes of present and past , unmarked by temporal or motivating indicators . Characters remain transparent , without interiority . In some scenes , communal codes of ...
... effect of continuity and intelligibility while dispersing story along nodes of present and past , unmarked by temporal or motivating indicators . Characters remain transparent , without interiority . In some scenes , communal codes of ...
Side 192
... effect , that the Freudian uncanny , the stranger within us , first encysts itself in Kristeva's text . We are not therefore surprised when in chapter eight , at the culmi- nation of the historical presentation , Kristeva characterizes ...
... effect , that the Freudian uncanny , the stranger within us , first encysts itself in Kristeva's text . We are not therefore surprised when in chapter eight , at the culmi- nation of the historical presentation , Kristeva characterizes ...
Side 37
... effect " die " in order for the other to prevail . Just as Bilder is not content merely to dramatize the disjunc- tion of camera and eye but insists upon showing as well some material specifications of that disjuncture , so it not only ...
... effect " die " in order for the other to prevail . Just as Bilder is not content merely to dramatize the disjunc- tion of camera and eye but insists upon showing as well some material specifications of that disjuncture , so it not only ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York