Discourse, Bind 15,Oplag 2–31993 |
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Side 174
... cinema in general — not just within a shared third - world problematic of history and identity ( Fredric Jameson , Social Text 15 [ 1986 ] ) , but specifically within Jewish cultural and religious tradition : history as implying a ...
... cinema in general — not just within a shared third - world problematic of history and identity ( Fredric Jameson , Social Text 15 [ 1986 ] ) , but specifically within Jewish cultural and religious tradition : history as implying a ...
Side 176
Cinema without Walls : Movies and Culture after Vietnam Timothy Corrigan New Brunswick : Rutgers UP , 1991. 258 pp . Jim Collins In the introduction to Cinema without Walls , Timothy Corrigan estab- lishes the goal of his study of the ...
Cinema without Walls : Movies and Culture after Vietnam Timothy Corrigan New Brunswick : Rutgers UP , 1991. 258 pp . Jim Collins In the introduction to Cinema without Walls , Timothy Corrigan estab- lishes the goal of his study of the ...
Side 186
... cinema will attempt to restore the marks of cinematic enunciation so carefully elided by the con- cealing operations of patriarchal cinema , or at least it will work to undermine them " ( 22-23 ) . As Flitterman - Lewis works to ...
... cinema will attempt to restore the marks of cinematic enunciation so carefully elided by the con- cealing operations of patriarchal cinema , or at least it will work to undermine them " ( 22-23 ) . As Flitterman - Lewis works to ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York