Discourse, Bind 15,Oplag 2–31993 |
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Side 12
... beginning the two primary elements of his representational choices , the visual and the aural . On one level , Maus tells the story of Artie's father , Vladek , from the 1930s in Poland to his liberation from Auschwitz in 1945 ; on ...
... beginning the two primary elements of his representational choices , the visual and the aural . On one level , Maus tells the story of Artie's father , Vladek , from the 1930s in Poland to his liberation from Auschwitz in 1945 ; on ...
Side 110
... beginning . It is in the context of poststructuralism that Santner asks what I consider to be the most important ques- tion : Is this discourse of mourning adequate to or commensurate with the catastrophic magnitude of the suffering of ...
... beginning . It is in the context of poststructuralism that Santner asks what I consider to be the most important ques- tion : Is this discourse of mourning adequate to or commensurate with the catastrophic magnitude of the suffering of ...
Side 28
... beginning of the section in which Bilder first addresses the issue of police photography , the commentator asks : " How to face a camera ? " Not surprisingly , even the partial answer which the film gives to this question immediately ...
... beginning of the section in which Bilder first addresses the issue of police photography , the commentator asks : " How to face a camera ? " Not surprisingly , even the partial answer which the film gives to this question immediately ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York