Discourse, Bind 15,Oplag 2–31993 |
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Side 36
... appears as a transitory moment as the character moves from a past to an ever more prosperous ( or more moral ) ... appears in both the India Song and the Vietnam cycles . This beggar woman remains simultaneously inside and outside any ...
... appears as a transitory moment as the character moves from a past to an ever more prosperous ( or more moral ) ... appears in both the India Song and the Vietnam cycles . This beggar woman remains simultaneously inside and outside any ...
Side 159
... appear in the tape ( 34 ) . Only its second - night opening " reprise ” appears . In fact , the ABC work wasn't aired until ninety - nine percent of the tape was shot , the script completed , and rough editing begun . I used footage ...
... appear in the tape ( 34 ) . Only its second - night opening " reprise ” appears . In fact , the ABC work wasn't aired until ninety - nine percent of the tape was shot , the script completed , and rough editing begun . I used footage ...
Side 162
... appears relatively unexamined and unschooled . For example , she imagines that postmodernism can be distinguished from modernism ( a term , however , that does not appear in her argu- ment ) by ambiguity . But any account of modernism ...
... appears relatively unexamined and unschooled . For example , she imagines that postmodernism can be distinguished from modernism ( a term , however , that does not appear in her argu- ment ) by ambiguity . But any account of modernism ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York