Discourse, Bind 15,Oplag 2–31993 |
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Side 95
... Forster's writing , they offer a number of critical possibilities . The first may be considered a denaturing of heterosexuality : since Forster's male and female characters are divided by a barrier as intractable as race , they occupy ...
... Forster's writing , they offer a number of critical possibilities . The first may be considered a denaturing of heterosexuality : since Forster's male and female characters are divided by a barrier as intractable as race , they occupy ...
Side 101
... Forster made this resistance paradoxically clear in an espe- cially obtuse chapter on " Fantasy " in Aspects of the Novel . Despite the expositional aims of that text , Forster's definition of fantasy clarifies only his attempt to ...
... Forster made this resistance paradoxically clear in an espe- cially obtuse chapter on " Fantasy " in Aspects of the Novel . Despite the expositional aims of that text , Forster's definition of fantasy clarifies only his attempt to ...
Side 111
... Forster's idealism and are , as a consequence , more than an extension of it because they funda- mentally constitute it . - — This distinction permits a conceptual separation between homophilia and homosexuality in Forster's texts , and ...
... Forster's idealism and are , as a consequence , more than an extension of it because they funda- mentally constitute it . - — This distinction permits a conceptual separation between homophilia and homosexuality in Forster's texts , and ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York