Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum, Bind 2W. Bowyer and J. Nichols, 1776 |
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Side xiii
... imitation of it , to abuse the worst . But it did not content your zeal for the service of letters barely to remedy this abuse . It was not enough , in your enlarged view of things , to re- ftore either of these models to its an- 4 ...
... imitation of it , to abuse the worst . But it did not content your zeal for the service of letters barely to remedy this abuse . It was not enough , in your enlarged view of things , to re- ftore either of these models to its an- 4 ...
Side 65
... imitation of the Greek poets , was grown , in his time , and long before it , into a degree of pedantry and affectation ; no other merit , but this of docti , being of any fignificancy , in their account . There is no reafon to think ...
... imitation of the Greek poets , was grown , in his time , and long before it , into a degree of pedantry and affectation ; no other merit , but this of docti , being of any fignificancy , in their account . There is no reafon to think ...
Side 89
... imitations may please , but this warms and tranfports with paffion . And , because whatever addreffes itfelf immediately to the eye affects us moft , hence it is , that paint- ing , fo employed , becomes more efficacious to exprefs ...
... imitations may please , but this warms and tranfports with paffion . And , because whatever addreffes itfelf immediately to the eye affects us moft , hence it is , that paint- ing , fo employed , becomes more efficacious to exprefs ...
Side 91
... imitation of fen- " fible objects . For you represent in colours , bodies of all forts , hollow and projecting ... imitate in colours , the " MANNERS ; MANNERS ; those tendencies and difpofitions of " the foul EPISTLE TO AUGUSTUS . 91.
... imitation of fen- " fible objects . For you represent in colours , bodies of all forts , hollow and projecting ... imitate in colours , the " MANNERS ; MANNERS ; those tendencies and difpofitions of " the foul EPISTLE TO AUGUSTUS . 91.
Side 92
... imitate that , which hath no proportion , co- " lour , or any other of thofe properties , you " have been just now enumerating , as the objects " of fight ? " " Why , is it not true , returned " Socrates ... imitation ? " - " 92 NOTES ON THE.
... imitate that , which hath no proportion , co- " lour , or any other of thofe properties , you " have been just now enumerating , as the objects " of fight ? " " Why , is it not true , returned " Socrates ... imitation ? " - " 92 NOTES ON THE.
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abfurdity action addrefs admiration adparent affections againſt alfo almoſt antients atque becauſe befides beft beſt cafe cenfure character cife circumftance comedy comic COMMENTARY compofition confideration confifts courſe critic criticiſm defign dicere diftinct drama effential epiftle eſpecially expreffion exprefs faid fame farce fatire fcene feems fenfe fentiment ferious ferve feveral fhew fhewn fhould firſt folemn fome fpeaking fpecies fpirit ftage ftill fubject fublime fuch fuppofe fure furniſhed genius Greek hath himſelf honour Horace humour idea inftance inftruct intereft itſelf juft juſt learned leaſt lefs Lucilius manners meaſure merit modern moft moſt muft muſt nature numbers obferved occafion Pacuvius paffion perfons Plautus pleafing pleaſe pleaſure poem poet poet's poetry pofe POLYGNOTUS praiſe prefent profe purpoſe quod racter reader reaſon reprefented repreſentation reſpect ridicule Roman ſcene ſenſe ſpeak ſuch tafte taſte thefe themſelves theſe thing thofe thoſe tragedy underſtand uſe Virgil whofe words writers
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Side 155 - But Italy, reviving from the trance Of Vandal, Goth, and Monkish ignorance, With pauses, cadence, and well-vowell'd words, And all the graces a good ear affords, Made rhyme an art, and Dante's polish'd page Restored a silver, not a golden age.
Side 135 - And therefore it was ever thought to have some participation of divineness, because it doth raise and erect the mind, by submitting the shows of things to the desires of the mind ; whereas reason doth buckle and bow the mind unto the nature of things.
Side 3 - ... notaque fatali portenta labore subegit, comperit invidiam supremo fine domari. urit enim fulgore suo, qui praegravat artis infra se positas: extinctus amabitur idem. 15 praesenti tibi maturos largimur honores iurandasque tuum per numen ponimus aras, nil oriturum alias, nil ortum tale fatentes.
Side 138 - ... them as throws the difcourfe out of the ordinary and common phrafe of converfation. Novelty and variety are certain fources of pleafure: a...
Side 188 - ... portraits of this vicious taste are the admiration of common starers, who, if they find a picture of a miser for instance (as there is no commoner subject of moral portraits) in a collection, where every muscle is strained, and feature hardened into the expression of this idea, never fail to profess their wonder and approbation of it. — On this idea of excellence, Le Brun's book of the PASSIONS...
Side 44 - ... for its novelty, preferable to the fublimer, but trite, themes of the Greek writers. Not but he intended, on fome future occafion, to adorn a nobler fubjeft.
Side 74 - ... be taken in a different sense when it is joined with one of the things, from what it has in conjunction with the other.
Side 245 - And lastly, his style in picturing characters, though masterly, was without that elegance of hand, which is required to correct and allay the force of so bold a colouring. Thus, the biass of his nature leading him to Plautus rather than Terence for his model, it is not to be wondered that his wit is too frequently caustic ; his raillery coarse ; and his humour excessive.
Side 6 - Scriptor abhinc annos centum qui decidit inter Perfectos veteresque referri debet, an inter Viles atque novos? Excludat jurgia finis. Est vetus atque probus centum qui perficit annos.
Side 82 - FATA Nepotum. This idea then of the sacred shield, the guard and glory of Rome, and on which, in this advanced situation, depended the fame and fortune of his country, the poet, with extreme elegance and sublimity, transfers to the shield which guarded their great progenitor, while he was laying the first foundations of the Roman Empire.