LXXXVIII. But on his reverend brow DESSANTI bore Of the strong love that knits man to his kind. (1) LXXXIX. Most happily the mouth match'd with these features; For its unfaded fullness plainly told, DESSANTI had not liv'd, as baser natures, In sensual idleness, and now when old Enjoy'd those gifts, (of all, that to his creatures The ALL-GOOD hath given, the best, before fine gold Or smiles of kings,) sound health and conscience clean, That color like the rose life's dreariest scene. XC. Travel you might from one pole to the other, (1) What phrenology has termed the Organ of Benevolence. Whether it be the sign of the presence of such an organ, or there be of the brain no such portion devoted to this particular sentiment, it is certain that usually in persons of a benevolent turn of mind, the middle of the highest part of the forehead is elevated and finely rounded. Without perhaps once meeting such another XCI. The rare perfection of its outer line (Which straight and even from the brow descended) Gave to the face a beauty quite divine, And even a grandeur that superbly blended To make look dim the best e'er done in paint. XCII. His height six feet, his fine form still unbent, And one fine fellow, trimly set and jointed, ESTELLE.. XCIII. Thou sweetest flower that ever grew In the world's waste, man's desolate heart to cheer! Ah, could I sing thy worth with rapture due, That all good men the unflatter'd truth might hear! XCIV. ESTELLE, who did in moral growth surpass By breeding or example taught, or both; XCV. Authority, the habit of command, The meeting everywhere with veneration, Is loftier than our own, this pride of station When large, and acting on a liberal nature, Stamps ineffaceably on every feature. (1) It is partly this circumstance, perhaps, which, in a less degree, gives the gentility of air that characterizes the women of the UNITED STATES above all others in the world. The freedom of the government, the want of acknowledged social distinctions, aid the XCVI. But there is yet a pride of mien, the dower influence of the brilliant climate, and are fast producing such loveliness as will one day rival, if it do not even now, the boasted models of GREECE.* The women of the UNITED STATES are already universally allowed to be the prettiest in the world. They are more. Foreigners see but the surface of society, in the little time they are with us, and generally it is with the wealthier, more fashionable, and politer class they are familiar; but it is in the inferior and middle grades of life that the great superiority in feminine beauty of AMERICA Over all other countries is to be found. Distinguished by an exceeding gracefulness of person, by a rare perfection of feature, by fine and lustrous hair, dressed with peculiar taste, and by a step that almost rivals the gait of the women of SPAIN, the American grisette is born the lady; it is only her conversation and her manners that would tell you she is not so bred. The most beautiful face I have ever seen belonged to a market girl of PERUGIA in ITALY, the finest form was that of a servant-maid at PAU in FRANCE (the birthplace, by the by, of that connaisseur in women, the fourth and great HENRY); but for the greatest number of merely personal charms united, figure, feature, grace, expression, and in the greatest number of persons, commend me to the matchless maids of AMERICA. It is remarkable that the female children born in AMERICA of Irish emigrants (who are almost invariably, in respect of features, person, mien, and carriage, grossly vulgar and ill favored, to an extent that to the native popula tion has something in it ludicrous and extravagant) grow up handsome, wellformed, and graceful, and conspicuous, frequently in no little degree, for that very air of which we speak above. XCVII. All that the ermin'd robe or crown of gold XCVIII. Straight as the nut-tree which our forests bear, Not that sweet figure, of expression rare, XCIX. Her taper limbs, the shoulders' matchless fall, (1) That one of the three famous dancing girls which was made for MANZONI, who removed it to FORLI. The reader may see an elegant engraving of it, in the first volume of a work published in London in 1832, entitled Illustrations of Modern Sculpture. |