The New Criterion, Bind 3,Oplag 6–10Foundation for Cultural Review, 1985 |
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Side 29
... space to embrace the viewer . ( Leslie's figura- tive painting recalls his earlier Abstract Ex- pressionist work in its insistent frontality . ) The deep space of representational art can give a feeling of melancholy to viewers used to ...
... space to embrace the viewer . ( Leslie's figura- tive painting recalls his earlier Abstract Ex- pressionist work in its insistent frontality . ) The deep space of representational art can give a feeling of melancholy to viewers used to ...
Side 58
... space " able to support the development of paint- ing for 300 years , " and the absence of his space from the abstraction being produced now is a sad decline . Moreover , his space was new ; artists before him in the Renais- sance had ...
... space " able to support the development of paint- ing for 300 years , " and the absence of his space from the abstraction being produced now is a sad decline . Moreover , his space was new ; artists before him in the Renais- sance had ...
Side 21
... space are simul- taneous functions of one another . In Rous- seau's jungles there is no vision of any space like that ; space is a wall which remains . scarcely modified as the ivy of his imagery spreads all over , unit by added unit ...
... space are simul- taneous functions of one another . In Rous- seau's jungles there is no vision of any space like that ; space is a wall which remains . scarcely modified as the ivy of his imagery spreads all over , unit by added unit ...
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abstract abstract art achieve aesthetic Allen Ginsberg American architecture artist audience avant-garde Beckett Bernstein Bogan Bruce Bawer called Caravaggio catalogue century Chagall character color comedy course Criterion critics Cubist culture DeLillo Dufy early Eliot Empson essay Evelyn Waugh exhibition fact feel fiction figure Gallery Ginsberg Heidegger Heidegger's Hilton Kramer human idea intellectual interest Jackson Jacques Kandinsky kind Kramer literary lives look Marxist Matisse matter means ment mind modern modernist moral Motherwell Motherwell's Museum naïve art nature never novel opera orchestra painters painting Paris performance perhaps picture play poems poet poetry political production published radical recent Robert Robert Richman Rousseau Samuel Lipman Sartre scene Schopenhauer seems sense social story Street Strindberg style T. S. Eliot theater thing thought tion Tom and Viv tradition ture wanted words writing wrote York young