Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1Indiana University Press, 1993 |
Fra bogen
Resultater 1-3 af 20
Side 111
... speaking about one's sexual experience can be liberating and lead to effective political action . " Within modernity ... speak about sex is to play directly into power.1 Telling the truth about one's sex , in Foucault's formula- tion ...
... speaking about one's sexual experience can be liberating and lead to effective political action . " Within modernity ... speak about sex is to play directly into power.1 Telling the truth about one's sex , in Foucault's formula- tion ...
Side 122
... speak that functions to disavow the experience of the black woman so movingly depicted by Harriet Jacobs , whom Bray quotes : " My master began to whisper foul words in my ear . . . . The other slaves . . . knew too well the guilty ...
... speak that functions to disavow the experience of the black woman so movingly depicted by Harriet Jacobs , whom Bray quotes : " My master began to whisper foul words in my ear . . . . The other slaves . . . knew too well the guilty ...
Side 168
... Speaking " 34 ) - Mary does not mourn , Pietà - like , but powerfully , by speaking out . Taken from his own mother and her experiences in the black church , the phrase " standing in the gap " has a complex set of intersubjective and ...
... Speaking " 34 ) - Mary does not mourn , Pietà - like , but powerfully , by speaking out . Taken from his own mother and her experiences in the black church , the phrase " standing in the gap " has a complex set of intersubjective and ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York