Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1Indiana University Press, 1993 |
Fra bogen
Resultater 1-3 af 25
Side 7
... lyric tradition . - The rubric " lyric " here will simply mean any rhythmic , verbal articulation of experience and emotion , spoken or sung ( often fictively ) in the first person and sometimes performed to music . My purpose in ...
... lyric tradition . - The rubric " lyric " here will simply mean any rhythmic , verbal articulation of experience and emotion , spoken or sung ( often fictively ) in the first person and sometimes performed to music . My purpose in ...
Side 8
... lyric subject . His name became a synonym for the unrequited , obses- sive lover ; his sequence dramatized a scenario in which the roles of the lyric " I " and the lyric " You " were played by a long - suffer- ing , eternally devoted ...
... lyric subject . His name became a synonym for the unrequited , obses- sive lover ; his sequence dramatized a scenario in which the roles of the lyric " I " and the lyric " You " were played by a long - suffer- ing , eternally devoted ...
Side 17
... lyric " I " who directly addresses a lyric “ you ” — either the beloved on display ( " I Want Your Sex " ) or the camera - spec- tator - lover ( " Faith " ) - this video spells out a context for the lyric instance . But who is in ...
... lyric " I " who directly addresses a lyric “ you ” — either the beloved on display ( " I Want Your Sex " ) or the camera - spec- tator - lover ( " Faith " ) - this video spells out a context for the lyric instance . But who is in ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York