Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1Indiana University Press, 1993 |
Fra bogen
Resultater 1-3 af 18
Side 84
... face " ( 113 ) . One of the characteristics emphasized by Leroux is the phantom's nose : " His nose is so little worth talking about that you can't see it side - face : and the absence of that nose is a horrible thing to look at " ( qtd ...
... face " ( 113 ) . One of the characteristics emphasized by Leroux is the phantom's nose : " His nose is so little worth talking about that you can't see it side - face : and the absence of that nose is a horrible thing to look at " ( qtd ...
Side 87
... face seem more remote than ever from mankind . Who can say whether or not this was justi- fied ? ... Here , too , foreshadowed in her haunted face is Vir- ginia Woolf's eventual suicide by drowning . ( 133 ) When we turn from the ...
... face seem more remote than ever from mankind . Who can say whether or not this was justi- fied ? ... Here , too , foreshadowed in her haunted face is Vir- ginia Woolf's eventual suicide by drowning . ( 133 ) When we turn from the ...
Side 98
... face , if " we are surrounded by the image of the woman's face , the obsession of the portrait and the cover girl alike " ( Stewart 125 ) , and if " Woman " remains the feared and envied trope of enigma and boundary disruption , how can ...
... face , if " we are surrounded by the image of the woman's face , the obsession of the portrait and the cover girl alike " ( Stewart 125 ) , and if " Woman " remains the feared and envied trope of enigma and boundary disruption , how can ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York