Dynamism of Character in Shakespeare's Mature TragediesUniversity of Delaware Press, 2003 - 327 sider Dynamism of Character in Shakespeare's Mature Tragedies applies the systems theory of character to the analysis of the psychological and dramatic consistency of the main characters of Hamlet, Othello, King Lear, and Macbeth. The theory considers human behavior in terms of functional equilibrium between the stable properties of the mind, independent of the pressures of the sociocultural environment and the immediate situational context. What we call character thus denotes an autonomous configuration of psychological elements, which ensure the consistency and continuity of individual identity, despite the influence of the changing external circumstances. intuitive, and impressionistic approaches to character criticism, to the New Critical aesthetic readings of Shakespeare's plays which often ignore psychology as a valid interpretive perspective, and to the more recent cultural materialist readings that consider dramatic characters solely as functions of external, sociocultural forces. Piotr Sadowski teaches English literature at the American College Dublin, Dublin Business School, and Trinity College Dublin. |
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Side 8
... fact predictable lit- erary analyses underpinned by these approaches can be . Equipped with their theories , critics decide in advance what any particular lit- erary text will say to them , and they leave the text with no more than what ...
... fact predictable lit- erary analyses underpinned by these approaches can be . Equipped with their theories , critics decide in advance what any particular lit- erary text will say to them , and they leave the text with no more than what ...
Side 10
... fact first of all to the choice of Shakespeare , which requires no justification , sec- ond to the focus on his tragedies , which are more conflict ridden than the comedies or the histories and therefore more fascinating , and third to ...
... fact first of all to the choice of Shakespeare , which requires no justification , sec- ond to the focus on his tragedies , which are more conflict ridden than the comedies or the histories and therefore more fascinating , and third to ...
Side 13
... fact the shift from character - oriented criti- cism toward the study of other aspects of the plays , such as their sources , artistic design , imagery , theatrical conventions , and so on , is a relatively recent , early - twentieth ...
... fact the shift from character - oriented criti- cism toward the study of other aspects of the plays , such as their sources , artistic design , imagery , theatrical conventions , and so on , is a relatively recent , early - twentieth ...
Side 15
... fact an over - emphasis to which every critic and indeed every audience of Shakespeare is prone . " 9 The New Critics denigrating Bradley's approach were not , argues Cooke , above ingenious interpretations of character them- selves ...
... fact an over - emphasis to which every critic and indeed every audience of Shakespeare is prone . " 9 The New Critics denigrating Bradley's approach were not , argues Cooke , above ingenious interpretations of character them- selves ...
Side 16
Denne sides indhold er desværre begrænset..
Denne sides indhold er desværre begrænset..
Indhold
7 | |
13 | |
Toward Systems Theory of Character | 26 |
Dynamism of Character | 49 |
Characters in Action | 81 |
Hamlet | 98 |
Othello | 164 |
King Lear | 219 |
Macbeth | 273 |
300 | |
318 | |
324 | |
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Almindelige termer og sætninger
acter action appear attitude audience avenger balance Banquo behavior Bradley Cassio cause character types characterological Claudius Claudius's context Cordelia crisis critics daughters death Desdemona dramatic dynamism of character Edgar Edmund Emilia emotional endodynamic character endostatic example exodynamic exostatic external fact father feelings filial Fortinbras gender Gertrude Ghost Gloucester Gloucester's Goneril Gonzago play Grene Hamlet hand heroic honest Honigmann Horatio human husband Iago Iago's individual interactions justice Kent killing King Lear king's Knight L. C. Knights Lady Macbeth Laertes Laertes's lago Lear's literary loyalty Macduff madness McElroy ment mental mind moral motives murder namic nature Ophelia Othello partner plot political Polonius Polonius's possible prince prince's principles psychological reaction reason relations revenge Roderigo role Rosencrantz and Guildenstern scene sense sexual Shakespeare's Shakespeare's Mature Tragedies Shakespeare's Tragic Imagination Shakespearean Tragedy situation social sociological power static character static person statism thou tion traditional unconscious villain wife Wilson Knight
Henvisninger til denne bog
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Uddragsvisning - 2006 |
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Ingen forhåndsvisning - 2006 |