The Yale Literary Magazine, Bind 122Yale Literary Society, 1954 |
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Side 31
... wall , no windows . Across the ceiling , baroque gilt radiating insigniae ; on the organ , panels of painted pipes , like Motherwell's shapes , bloated muscles . On the pink - gray walls , reflections from the windows , but without the ...
... wall , no windows . Across the ceiling , baroque gilt radiating insigniae ; on the organ , panels of painted pipes , like Motherwell's shapes , bloated muscles . On the pink - gray walls , reflections from the windows , but without the ...
Side 32
... wall , vertical accents of the towers , like the figures in Courbet's Burial at Ornans , tend to break the scheme , or perhaps only to relieve it . Throughout the town buildings , a variety , a composition which might seem planned , so ...
... wall , vertical accents of the towers , like the figures in Courbet's Burial at Ornans , tend to break the scheme , or perhaps only to relieve it . Throughout the town buildings , a variety , a composition which might seem planned , so ...
Side 20
... wall " to " blasted oak " and from " There the learned man and the knave " to " The solid man and the coxcomb . " According to Ell- man ( op . cit . ) , " The change of scene from the chapel wall to the blasted oak made the malediction ...
... wall " to " blasted oak " and from " There the learned man and the knave " to " The solid man and the coxcomb . " According to Ell- man ( op . cit . ) , " The change of scene from the chapel wall to the blasted oak made the malediction ...
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