The Yale Literary Magazine, Bind 122Yale Literary Society, 1954 |
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Side 18
... play but " an impression for voices , " for reading and not for playing , a quasi - dramatic form valid for the radio , and even for cinema and television , a form more highly perfected in some respects by MacLeish and ignored by Eliot ...
... play but " an impression for voices , " for reading and not for playing , a quasi - dramatic form valid for the radio , and even for cinema and television , a form more highly perfected in some respects by MacLeish and ignored by Eliot ...
Side 18
... play . Practically nothing exact is known about the first performance of Tartuffe , which was played at Versailles on the twelfth of May , 1664 , during the celebration of " The pleasures of the enchanted isle . " We know that the play ...
... play . Practically nothing exact is known about the first performance of Tartuffe , which was played at Versailles on the twelfth of May , 1664 , during the celebration of " The pleasures of the enchanted isle . " We know that the play ...
Side 19
... play . The lack of control is largely the fault of the theatre arts form where the actor is of necessity too close to the play to be able to perceive the unity of the work as a complete whole , while it is the actor who must , in the ...
... play . The lack of control is largely the fault of the theatre arts form where the actor is of necessity too close to the play to be able to perceive the unity of the work as a complete whole , while it is the actor who must , in the ...
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