Shakespeare's Romance of the Word, Bind 10Bucknell University Press, 1990 - 183 sider This work is a critical study of Pericles, Cymbeline, The Winter's Tale, and The Tempest, with a focus on Shakespeare's exploration of language in its destructive potentialities and its redemptive workings. |
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Side 23
... eyes . For his story's success and his own safety , the teller of a vicious tale must blind powerful sinners , his subjects , to the true application and meaning of his narrative.116 But the sinners ' delusion , their blinding , is only ...
... eyes . For his story's success and his own safety , the teller of a vicious tale must blind powerful sinners , his subjects , to the true application and meaning of his narrative.116 But the sinners ' delusion , their blinding , is only ...
Side 38
... eye and ear has become emphatic . Regarding the actors in the dumb show of Ma- rina's tomb , Gower requests that the viewer " like motes and shadows see them move awhile . " Then he promises , " Your ears unto your eyes I'll reconcile ...
... eye and ear has become emphatic . Regarding the actors in the dumb show of Ma- rina's tomb , Gower requests that the viewer " like motes and shadows see them move awhile . " Then he promises , " Your ears unto your eyes I'll reconcile ...
Side 70
... eyes Were not in fault , for she was beautiful : Mine ears that heard her flattery , nor my heart That thought her like her seeming . It had been vicious To have mistrusted her .... ( 5.5.62-66 ) According to a Christian view , people ...
... eyes Were not in fault , for she was beautiful : Mine ears that heard her flattery , nor my heart That thought her like her seeming . It had been vicious To have mistrusted her .... ( 5.5.62-66 ) According to a Christian view , people ...
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Almindelige termer og sætninger
action appears beauty becomes believes Caliban Camillo cause characters concerning context court courtiers creates critical Cymbeline dance death divine dramatic ears effect Elizabethan English evil example experience expression eyes fact faith Ferdinand final flowers force gives gods hear Hermione human idea imagination Imogen important interpretation John kind King knowledge language Leontes linguistic London Marina Masque meaning mind Miranda nature never notes once original pastoral Paulina's Perdita Pericles perspective play Polixenes possible Posthumus Posthumus's present Prince Prospero providence Queen reason reflects Regarded remains remarkable Renaissance represents reprint reveals role romance scene sense Shake Shakespeare shapes speak speaker speech spirit stand story Studies suggests symbolic Tale tells Tempest thing thou thought tion true truth understanding University Press utterance verbal viewer virtue vision Winter's Winter's Tale words York