Shakespeare's Romance of the Word, Bind 10Bucknell University Press, 1990 - 183 sider This work is a critical study of Pericles, Cymbeline, The Winter's Tale, and The Tempest, with a focus on Shakespeare's exploration of language in its destructive potentialities and its redemptive workings. |
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Side 44
... court who begin the dra- matic action do not merely neglect the equality of words to things ; Shakespeare flagrantly controverts the dictum in their speech . First Gentleman's remark forms perhaps the most cryp- tic opening speech in ...
... court who begin the dra- matic action do not merely neglect the equality of words to things ; Shakespeare flagrantly controverts the dictum in their speech . First Gentleman's remark forms perhaps the most cryp- tic opening speech in ...
Side 58
... court favors , and service . Furthermore , Belarius believes that his previously told stories of " courts , of princes ; of the tricks in war " would gain significance for Arviragus and Guiderius from the visually understood proverb ...
... court favors , and service . Furthermore , Belarius believes that his previously told stories of " courts , of princes ; of the tricks in war " would gain significance for Arviragus and Guiderius from the visually understood proverb ...
Side 60
... court or country - experiential passion . Arviragus and Guiderius feel death “ knowingly " when their beloved Fidele appears to die . The haunting words of Arviragus's elegy and of the rare dirge , " Fear no more the heat o ' th ' sun ...
... court or country - experiential passion . Arviragus and Guiderius feel death “ knowingly " when their beloved Fidele appears to die . The haunting words of Arviragus's elegy and of the rare dirge , " Fear no more the heat o ' th ' sun ...
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Almindelige termer og sætninger
action appears beauty becomes believes Caliban Camillo cause characters concerning context court courtiers creates critical Cymbeline dance death divine dramatic ears effect Elizabethan English evil example experience expression eyes fact faith Ferdinand final flowers force gives gods hear Hermione human idea imagination Imogen important interpretation John kind King knowledge language Leontes linguistic London Marina Masque meaning mind Miranda nature never notes once original pastoral Paulina's Perdita Pericles perspective play Polixenes possible Posthumus Posthumus's present Prince Prospero providence Queen reason reflects Regarded remains remarkable Renaissance represents reprint reveals role romance scene sense Shake Shakespeare shapes speak speaker speech spirit stand story Studies suggests symbolic Tale tells Tempest thing thou thought tion true truth understanding University Press utterance verbal viewer virtue vision Winter's Winter's Tale words York