Discourse: Journal for Theoretical Studies in Media and Culture, Bind 5–7Discourse, 1983 |
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Side 41
... theoretical system ( s ) by all the " accidents " of life . A theory that is " not cut off from life " -that is the very least that can be said about Eisenstein's theoretical writings . But if this symbiosis of production , creation ...
... theoretical system ( s ) by all the " accidents " of life . A theory that is " not cut off from life " -that is the very least that can be said about Eisenstein's theoretical writings . But if this symbiosis of production , creation ...
Side 42
... theoretical self - service counter . " ( FW 3 , p . 227 ; an unpublished fragment dated 1944 , not in RW ) 99 ( 2 ) At the same time there is a will in him to anchor his some- times very risky concepts in the most solid referential ...
... theoretical self - service counter . " ( FW 3 , p . 227 ; an unpublished fragment dated 1944 , not in RW ) 99 ( 2 ) At the same time there is a will in him to anchor his some- times very risky concepts in the most solid referential ...
Side 80
Journal for Theoretical Studies in Media and Culture. --Horst Mahler's theoretical articulations of the crisis points in the development of a progressive opposition in the FRG . The space from which he speaks is -- like Fassbinder's -- a ...
Journal for Theoretical Studies in Media and Culture. --Horst Mahler's theoretical articulations of the crisis points in the development of a progressive opposition in the FRG . The space from which he speaks is -- like Fassbinder's -- a ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge analysis Anastasia Anni avant-garde Basmanov Cahiers du cinéma camera character Christa Wolf classical close-up concept context contradiction critical critique cultural defined desire dialectical diegesis diegetic discourse documentary dominant ecstasy effect Eisenstein Eisensteinian enunciation essay Euphrosinia example Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmic filmmakers fragment frame function German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification ideological imaginary Ivan Ivan's Kaja Silverman Lacan language Laura Mulvey Lili Marleen look male Marxism meaning metaphor Milena montage movement narrative narrator notion opposition organicism political position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifiers social sound space speaking specific spectator story structure Subjective Factor symbolic television theme theoretical tion tive viewer visual voice voice-over West German woman women word