Discourse: Journal for Theoretical Studies in Media and Culture, Bind 5–7Discourse, 1983 |
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Side 135
... symbolic character typing . It is important to emphasize that this is a mode of character typ- ing radically different from those previously used by Eisenstein . The Mensheviks of October are typed as Mensheviks , i.e. , as occupants of ...
... symbolic character typing . It is important to emphasize that this is a mode of character typ- ing radically different from those previously used by Eisenstein . The Mensheviks of October are typed as Mensheviks , i.e. , as occupants of ...
Side 14
... symbolic order in relation to the structure of the Oedipus Complex ( the imbrication , under patriarchy of myth and the law ) by looking at motherhood , not as outside the symbolic but as a relatively silent and culturally despised area ...
... symbolic order in relation to the structure of the Oedipus Complex ( the imbrication , under patriarchy of myth and the law ) by looking at motherhood , not as outside the symbolic but as a relatively silent and culturally despised area ...
Side 20
... symbolic alternative . So that polit- ically speaking , it is only the symbolic , a new sym- bolism , a new law , that can challenge the dominant law . 14 Mitchell brings out an important point : it is the Oedipal that defines the ...
... symbolic alternative . So that polit- ically speaking , it is only the symbolic , a new sym- bolism , a new law , that can challenge the dominant law . 14 Mitchell brings out an important point : it is the Oedipal that defines the ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge analysis Anastasia Anni avant-garde Basmanov Cahiers du cinéma camera character Christa Wolf classical close-up concept context contradiction critical critique cultural defined desire dialectical diegesis diegetic discourse documentary dominant ecstasy effect Eisenstein Eisensteinian enunciation essay Euphrosinia example Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmic filmmakers fragment frame function German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification ideological imaginary Ivan Ivan's Kaja Silverman Lacan language Laura Mulvey Lili Marleen look male Marxism meaning metaphor Milena montage movement narrative narrator notion opposition organicism political position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifiers social sound space speaking specific spectator story structure Subjective Factor symbolic television theme theoretical tion tive viewer visual voice voice-over West German woman women word