Discourse: Journal for Theoretical Studies in Media and Culture, Bind 5–7Discourse, 1983 |
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Side 16
... relationship to seemingly unrelated phenomena and makes them bleakly identical . It would be useful to do a comparative study of the opinion polls which have become a standard feature of modern life . Such studies could determine the ...
... relationship to seemingly unrelated phenomena and makes them bleakly identical . It would be useful to do a comparative study of the opinion polls which have become a standard feature of modern life . Such studies could determine the ...
Side 119
... relationship between analogy and signification ( not to mention signifiance ) 18 , which is perhaps more hierarchical than dialectical , is of capital importance throughout the entire textual system of Ivan . It is in any event what ...
... relationship between analogy and signification ( not to mention signifiance ) 18 , which is perhaps more hierarchical than dialectical , is of capital importance throughout the entire textual system of Ivan . It is in any event what ...
Side 79
... relationships within consciousness are subject to a variety of constraints . One could tentatively say that the discontinuities of the relationship of the Imaginary and the Symbolic make it difficult to speculate about the spectator ...
... relationships within consciousness are subject to a variety of constraints . One could tentatively say that the discontinuities of the relationship of the Imaginary and the Symbolic make it difficult to speculate about the spectator ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge analysis Anastasia Anni avant-garde Basmanov Cahiers du cinéma camera character Christa Wolf classical close-up concept context contradiction critical critique cultural defined desire dialectical diegesis diegetic discourse documentary dominant ecstasy effect Eisenstein Eisensteinian enunciation essay Euphrosinia example Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmic filmmakers fragment frame function German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification ideological imaginary Ivan Ivan's Kaja Silverman Lacan language Laura Mulvey Lili Marleen look male Marxism meaning metaphor Milena montage movement narrative narrator notion opposition organicism political position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifiers social sound space speaking specific spectator story structure Subjective Factor symbolic television theme theoretical tion tive viewer visual voice voice-over West German woman women word