Discourse: Journal for Theoretical Studies in Media and Culture, Bind 5–7

Achternbusch already analysis appears attraction become body called camera character cinema classical close collective comes completely concept concerned construction contradiction course critical cultural defined desire determined dialectical diegesis discourse dominant effect Eisenstein example existence experience expression fact female feminist fiction figure film filmmakers finally fragment frame function German give given hand idea imaginary important interest Ivan kind Kluge language least less look male marked Marxism material meaning montage movement narrative narrator nature never object once opposition particular passage play political position possible practice precisely present problem produce provides question referent relation relationship remains represent representation scene seems seen sense sequence sexual shot situation social sound space speaking specific spectator story structure suggests symbolic theoretical theory things tion voice whole woman women writing