Essays on ShelleyMiriam Farris Allott Liverpool University Press, 1982 - 286 sider |
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Side 41
... interest is limited accordingly . St. Irvyne ; Or , The Rosicrucian , was published in January 1811 , and from the very beginning shows clear differences from Zastrozzi . The latter opened with action ( the abduction of the hero ) ...
... interest is limited accordingly . St. Irvyne ; Or , The Rosicrucian , was published in January 1811 , and from the very beginning shows clear differences from Zastrozzi . The latter opened with action ( the abduction of the hero ) ...
Side 62
... interest in St. Irvyne during composition . It began as a Gothic exploration of the theme of power , the way in which Ginotti came to exercise dominion over Wolfstein . In these early stages Shelley's main debt is probably to Matthew ...
... interest in St. Irvyne during composition . It began as a Gothic exploration of the theme of power , the way in which Ginotti came to exercise dominion over Wolfstein . In these early stages Shelley's main debt is probably to Matthew ...
Side 63
... interest away from the Gothic was Shelley's discovery of Godwin's work . At least Shelley himself thought so for he wrote to Godwin in 1812 as follows From a reader I became [ a ] writer of Romances ; before the age of seventeen I had ...
... interest away from the Gothic was Shelley's discovery of Godwin's work . At least Shelley himself thought so for he wrote to Godwin in 1812 as follows From a reader I became [ a ] writer of Romances ; before the age of seventeen I had ...
Indhold
Shelleys Gothick in St Irvyne and after | 39 |
Chronology of Shelleys Prose Fiction | 68 |
Speech and Silence in The Cenci | 105 |
Copyright | |
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Adonais Alastor appears Beatrice Beatrice's beauty Browning's Byron Cavigni Cenci character consciousness creative Critical Heritage Cythna dark death described Donald Davie dramatic dream earlier Eloise Epipsychidion essay evil example experience expression F. R. Leavis feeling fiction figure Frankenstein Ginotti Gisborne Godwin Gothic Harold Bloom hero human ideal ideas imagery imagination Irvyne Julian and Maddalo Keats language Laon Letter to Maria lines literary London lyrical M. H. Abrams maniac Maria Gisborne Mary Matthews Megalena metaphor mind modern moral mysterious narrative narrator nature passage passion Percy Bysshe Shelley play poem poem's poet's poetic Preface Prometheus Unbound Prose published Queen Mab reader reading repr Review Revolt of Islam Romantic poets Rousseau's seems sense Shelley's poetry Shelleyan silence social spirit stanza story style suffering T. S. Eliot Tennyson things thought tone Triumph truth verse Victorian vision Wandering Jew Witch of Atlas Wolfstein words Wordsworth writing written Zastrozzi