Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 14
... women remained in the living ( as widows ) , and the lines in the administration of the Gulag were completely composed of women . Therefore , the patriarchal / matriarchal structure in Soviet Rus- sia is multilayered . Implicitly , in ...
... women remained in the living ( as widows ) , and the lines in the administration of the Gulag were completely composed of women . Therefore , the patriarchal / matriarchal structure in Soviet Rus- sia is multilayered . Implicitly , in ...
Side 156
... women " ( 134 ) . Consequently , Queer Nation zaps at the film , the group's attempt to undercut the film's pleasure ( and profit ) by positioning placards announcing " Catherine Did It " at theatre entrances , were misplaced strategies ...
... women " ( 134 ) . Consequently , Queer Nation zaps at the film , the group's attempt to undercut the film's pleasure ( and profit ) by positioning placards announcing " Catherine Did It " at theatre entrances , were misplaced strategies ...
Side 157
... women working - class women / women of color located outside and hence did not partake of the structure of the secret " ( 121-22 ) . The white lesbian as the ghost of the white killer woman is , then , for Hart , analogous to The Woman ...
... women working - class women / women of color located outside and hence did not partake of the structure of the secret " ( 121-22 ) . The white lesbian as the ghost of the white killer woman is , then , for Hart , analogous to The Woman ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York