Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 56
... style , what is personal and what is assigned by social role coincide , but not in satire . But always at the bottom here is a heroic norm of wholeness , an ideal of the reunification of the personal and the social role . Satire starts ...
... style , what is personal and what is assigned by social role coincide , but not in satire . But always at the bottom here is a heroic norm of wholeness , an ideal of the reunification of the personal and the social role . Satire starts ...
Side 76
... style of the Russian empire , it turned into a sign of bour- geois decadence and bad taste . In the 1930s and 1950s " eclecticism " was considered to be a crime , a kind of " cosmopolitan conspiracy " in style . As an act of aesthetic ...
... style of the Russian empire , it turned into a sign of bour- geois decadence and bad taste . In the 1930s and 1950s " eclecticism " was considered to be a crime , a kind of " cosmopolitan conspiracy " in style . As an act of aesthetic ...
Side 87
... style in the scholarly literature seizes on the familiar anecdote which holds that Pudovkin and Eisenstein mutually defined themselves as committed to link- age and collision respectively— “ Linkage - P and Collision - E . " 4 From this ...
... style in the scholarly literature seizes on the familiar anecdote which holds that Pudovkin and Eisenstein mutually defined themselves as committed to link- age and collision respectively— “ Linkage - P and Collision - E . " 4 From this ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York