Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 133
... specific , historical , eco- nomic , inter - national nature of his relationship with Aoi , O'Rourke invites the audience to identify with an unmarked , yet superior- because - first - hand , view of the subject - that of the " Western ...
... specific , historical , eco- nomic , inter - national nature of his relationship with Aoi , O'Rourke invites the audience to identify with an unmarked , yet superior- because - first - hand , view of the subject - that of the " Western ...
Side 144
... specific economic circumstances which might have led her to these actions . Granted , any selection process O'Rourke employed in quoting Aoi would affect the image ( s ) of Aoi an audience would formulate . But the way to facilitate a ...
... specific economic circumstances which might have led her to these actions . Granted , any selection process O'Rourke employed in quoting Aoi would affect the image ( s ) of Aoi an audience would formulate . But the way to facilitate a ...
Side 146
... specific economic exigencies created by inter - national and transnational political and economic relationships to Thailand.18 Notes ' Clifford writes : " Thus ethnography's narrative of specific differ- ences presupposes , and always ...
... specific economic exigencies created by inter - national and transnational political and economic relationships to Thailand.18 Notes ' Clifford writes : " Thus ethnography's narrative of specific differ- ences presupposes , and always ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York