Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 88
... space of the scene to become unstable from shot to shot . We can lose track of where this or that closeup is supposed to be at any given time . If settings are altered from shot to shot and if the editing cheats or elides , even the ...
... space of the scene to become unstable from shot to shot . We can lose track of where this or that closeup is supposed to be at any given time . If settings are altered from shot to shot and if the editing cheats or elides , even the ...
Side 99
... space is understood in this context as the imaginary terrain in which a given dramatic scene takes place . David Bordwell offers a cogent definition : scenographic space is “ the imaginary space of the fiction , the ' world ' in which ...
... space is understood in this context as the imaginary terrain in which a given dramatic scene takes place . David Bordwell offers a cogent definition : scenographic space is “ the imaginary space of the fiction , the ' world ' in which ...
Side 104
... space and cutting as well as the historical development of a style . Reviewing a similar phenomenon in French films from 1900 to 1914 , Ben Brewster suggests that we may have been addressing the wrong question in our emphasis on deep ...
... space and cutting as well as the historical development of a style . Reviewing a similar phenomenon in French films from 1900 to 1914 , Ben Brewster suggests that we may have been addressing the wrong question in our emphasis on deep ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York