Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 86
... shot ( or gaze by our ideal observer ) which might reveal it . The system of succes- sive shots in the edited film then merely records different parts of that preexisting landscape . A prior , knowable spatial continuum gets sliced up ...
... shot ( or gaze by our ideal observer ) which might reveal it . The system of succes- sive shots in the edited film then merely records different parts of that preexisting landscape . A prior , knowable spatial continuum gets sliced up ...
Side 88
... shot to shot . We can lose track of where this or that closeup is supposed to be at any given time . If settings are altered from shot to shot and if the editing cheats or elides , even the ideal observer might have difficulty getting ...
... shot to shot . We can lose track of where this or that closeup is supposed to be at any given time . If settings are altered from shot to shot and if the editing cheats or elides , even the ideal observer might have difficulty getting ...
Side 89
... shot or even a clearly defined 180 - degree arc of action . We actually see only one corner of the apartment through the accumulation of shots ( figure 1 ) , and cues from other scenes and schemata from our 360 - degree experi- ence ...
... shot or even a clearly defined 180 - degree arc of action . We actually see only one corner of the apartment through the accumulation of shots ( figure 1 ) , and cues from other scenes and schemata from our 360 - degree experi- ence ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York