Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 89
... scene as a whole . Pudovkin creates as much of a sense of space as is required in the scene and ruthlessly exploits it for specific dramatic purposes . A fictional terrain is laid out in and around the flat , but Pudovkin's strategy is ...
... scene as a whole . Pudovkin creates as much of a sense of space as is required in the scene and ruthlessly exploits it for specific dramatic purposes . A fictional terrain is laid out in and around the flat , but Pudovkin's strategy is ...
Side 98
... scene of the Worker's escape . Indeed , he seems to want to establish a dis- tinctly separate zone which is occupied only by the Wife and children . There is no narrative advantage to situating it specifically since it won't figure in ...
... scene of the Worker's escape . Indeed , he seems to want to establish a dis- tinctly separate zone which is occupied only by the Wife and children . There is no narrative advantage to situating it specifically since it won't figure in ...
Side 135
... scene is the product of position- ing , editing , selective filming , questioning , et cetera ) and at least suggests that O'Rourke's presence may be actively shaping the content of the scene . Their subsequent conversation about the ...
... scene is the product of position- ing , editing , selective filming , questioning , et cetera ) and at least suggests that O'Rourke's presence may be actively shaping the content of the scene . Their subsequent conversation about the ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York