Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 43
... reality ; as in art , so in life . The films may be a blueprint for reality , and even if they create a fictional world , they also create “ reality ” at the same time , for the Soviet artist is the visionary who can see the future - in ...
... reality ; as in art , so in life . The films may be a blueprint for reality , and even if they create a fictional world , they also create “ reality ” at the same time , for the Soviet artist is the visionary who can see the future - in ...
Side 44
... reality in opposition to the audience reality . Indeed , its operation works in reverse , designed as it is to create the illusion of a filmic reality which extends into reality , of a spectator's reality that can be created or ...
... reality in opposition to the audience reality . Indeed , its operation works in reverse , designed as it is to create the illusion of a filmic reality which extends into reality , of a spectator's reality that can be created or ...
Side 45
... reality where any- one can become a member of the government . The moment of aperture and the bridge from filmic to Socialist Realist reality also illustrates the idea of the artist being able to reveal the future - in - the - present ...
... reality where any- one can become a member of the government . The moment of aperture and the bridge from filmic to Socialist Realist reality also illustrates the idea of the artist being able to reveal the future - in - the - present ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York