Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 11
... question the paradigm itself . When one asks oneself the question , why is it precisely the critical genre that experienced such a vogue in the frames of radi- cal - left feminism ? the answer has to be found evidently in the fact that ...
... question the paradigm itself . When one asks oneself the question , why is it precisely the critical genre that experienced such a vogue in the frames of radi- cal - left feminism ? the answer has to be found evidently in the fact that ...
Side 104
... question of “ composition - in - depth " back to the question of the relation between deep space and cutting as well as the historical development of a style . Reviewing a similar phenomenon in French films from 1900 to 1914 , Ben ...
... question of “ composition - in - depth " back to the question of the relation between deep space and cutting as well as the historical development of a style . Reviewing a similar phenomenon in French films from 1900 to 1914 , Ben ...
Side 151
... questions than it answers . As long as nobody expects answers , everything depends on the provocative quality of the questions . When it comes to cultural studies books , we are getting used to the idea that they should be ...
... questions than it answers . As long as nobody expects answers , everything depends on the provocative quality of the questions . When it comes to cultural studies books , we are getting used to the idea that they should be ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York