Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 47
... position . Because she is the handmaiden to the Socialist Realist utopia , her gender transgression is positively coded as gender transmigration . Yet it is not to be forgot- ten that the delineation of her new power position was ...
... position . Because she is the handmaiden to the Socialist Realist utopia , her gender transgression is positively coded as gender transmigration . Yet it is not to be forgot- ten that the delineation of her new power position was ...
Side 130
... position that needs to be consid- ered that of national identity . - II O'Rourke uses the opening narrative quoted above to position himself and locate his point of view . It seems intended to under- mine all expectations of objectivity ...
... position that needs to be consid- ered that of national identity . - II O'Rourke uses the opening narrative quoted above to position himself and locate his point of view . It seems intended to under- mine all expectations of objectivity ...
Side 149
... position . As the presence of the American interviewee attests , my nation participates in this economic exploitation as well , and I undoubtedly reap the benefits of the US occu- pying that position . Mohanty argues that identifying ...
... position . As the presence of the American interviewee attests , my nation participates in this economic exploitation as well , and I undoubtedly reap the benefits of the US occu- pying that position . Mohanty argues that identifying ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York