Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 86
... observer is distinct from the film spectator sitting in the theater . It is an entity which can move around magically and witness events from a plurality of perspicuous perspectives as it follows events unfolding in three dimension ...
... observer is distinct from the film spectator sitting in the theater . It is an entity which can move around magically and witness events from a plurality of perspicuous perspectives as it follows events unfolding in three dimension ...
Side 88
... observer might have difficulty getting his / her bearings . There would be no prior world for the ideal observer to observe . Shots , then , could hardly be said to be excerpted out of a preexisting , stable world . Rather , they ...
... observer might have difficulty getting his / her bearings . There would be no prior world for the ideal observer to observe . Shots , then , could hardly be said to be excerpted out of a preexisting , stable world . Rather , they ...
Side 99
... observer , employs a scenographic space which would frustrate even that observer's most ideal observations . This calls to mind again that critical commonplace which associ- ates Pudovkin with a principle of linkage : " Linkage - P ...
... observer , employs a scenographic space which would frustrate even that observer's most ideal observations . This calls to mind again that critical commonplace which associ- ates Pudovkin with a principle of linkage : " Linkage - P ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York