Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 10
... natural . They are naturalized through a system of myths that continually convert " history into nature . " This is why the concept of " life " has no place whatsoever in this paradigm . The task for linguistic criticism is a kind of ...
... natural . They are naturalized through a system of myths that continually convert " history into nature . " This is why the concept of " life " has no place whatsoever in this paradigm . The task for linguistic criticism is a kind of ...
Side 86
... nature of Pudovkin's commitment to continuity editing in practice and to its ideology of coherent scenographic space , the sort of space ostensi- bly inhabited by the ideal observer ? What is the nature of sceno- graphic space in ...
... nature of Pudovkin's commitment to continuity editing in practice and to its ideology of coherent scenographic space , the sort of space ostensi- bly inhabited by the ideal observer ? What is the nature of sceno- graphic space in ...
Side 133
... nature of his relationship with Aoi , O'Rourke invites the audience to identify with an unmarked , yet superior- because - first - hand , view of the subject - that of the " Western men " described in the opening . ― Aoi's national ...
... nature of his relationship with Aoi , O'Rourke invites the audience to identify with an unmarked , yet superior- because - first - hand , view of the subject - that of the " Western men " described in the opening . ― Aoi's national ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York