Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 38
... musical was Igor Savchenko's 1934 musical comedy , The Accordion ( Garmon ) , based on Alexander Zharov's poem . The music was by Pototsky , and the film starred Zoya Fyodorova . Perhaps the most prolific musical director was Grigori ...
... musical was Igor Savchenko's 1934 musical comedy , The Accordion ( Garmon ) , based on Alexander Zharov's poem . The music was by Pototsky , and the film starred Zoya Fyodorova . Perhaps the most prolific musical director was Grigori ...
Side 41
... musical and Socialist Realism ( James 90 ) necessitated generalization and typification , and a sympathetic relationship already existed via the inherent nature of the musical and its dichotomy between the " real " and utopian time ...
... musical and Socialist Realism ( James 90 ) necessitated generalization and typification , and a sympathetic relationship already existed via the inherent nature of the musical and its dichotomy between the " real " and utopian time ...
Side 43
... musical fever " hit the Soviet Union . Still , musicals never completely regained the success and appeal of either ... musical genre . Filmic Operations in the Stalinist Musicals Aside from the sociopolitical phenomena that made musicals ...
... musical fever " hit the Soviet Union . Still , musicals never completely regained the success and appeal of either ... musical genre . Filmic Operations in the Stalinist Musicals Aside from the sociopolitical phenomena that made musicals ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York