Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 5
... masses " and mass ( or popular ) culture ? How do the masses ' desires merge with the voices of authority ( to paraphrase Dobrenko ) ? And why , as Svetlana Boym asks , once their tastes have been “ liberated , ” have Russian audiences ...
... masses " and mass ( or popular ) culture ? How do the masses ' desires merge with the voices of authority ( to paraphrase Dobrenko ) ? And why , as Svetlana Boym asks , once their tastes have been “ liberated , ” have Russian audiences ...
Side 52
... masses . On the contrary , the plot of both films is based on the premise that authority defends the laughing masses from the unsmiling bureaucrat . The intentions of the carnival directly coin- cide with the intentions of authority ...
... masses . On the contrary , the plot of both films is based on the premise that authority defends the laughing masses from the unsmiling bureaucrat . The intentions of the carnival directly coin- cide with the intentions of authority ...
Side 53
... mass culture from the lower reaches , which in principle is already different from that of the times of Rabelais as described by Bakhtin . In Socialist Realism there are no longer different cultures . The process of the “ degradation of ...
... mass culture from the lower reaches , which in principle is already different from that of the times of Rabelais as described by Bakhtin . In Socialist Realism there are no longer different cultures . The process of the “ degradation of ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York