Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 15
... look for a moment of “ ex - nomination " in that anonymous region where the bourgeois roots its myths in " the natural . " We will look into the idea — usually not requiring nomi- nation , for it is understood on its own - of material ...
... look for a moment of “ ex - nomination " in that anonymous region where the bourgeois roots its myths in " the natural . " We will look into the idea — usually not requiring nomi- nation , for it is understood on its own - of material ...
Side 45
... look over her shoulder we too can see the Supreme Soviet and are placed upon the podium and have the chance to bridge that gap between the filmic representation and the Socialist Realist reality where any- one can become a member of the ...
... look over her shoulder we too can see the Supreme Soviet and are placed upon the podium and have the chance to bridge that gap between the filmic representation and the Socialist Realist reality where any- one can become a member of the ...
Side 103
... look back on prerevolutionary cinema , dense with French Regency furniture , candelabra , and gilded mirrors , and describe its effect as a “ lacquering ” of reality ( Levaco 191 ) . Brittle and glossy , this is haut bourgeois cinema of ...
... look back on prerevolutionary cinema , dense with French Regency furniture , candelabra , and gilded mirrors , and describe its effect as a “ lacquering ” of reality ( Levaco 191 ) . Brittle and glossy , this is haut bourgeois cinema of ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York