Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
Fra bogen
Resultater 1-3 af 23
Side 76
... kind of " cosmopolitan conspiracy " in style . As an act of aesthetic revenge in the 1980s , eclecticism became a single concept that united many directors , artists , and writers of the time . Stylistic impurity and eclecticism were ...
... kind of " cosmopolitan conspiracy " in style . As an act of aesthetic revenge in the 1980s , eclecticism became a single concept that united many directors , artists , and writers of the time . Stylistic impurity and eclecticism were ...
Side 110
... kind of historically specific map of the moral scheme of things in a particular culture . Yes , the Russian melodramas appear like tragedy in their use of the " apparently insoluble situation " ( 247 ) . However , Heilman cautions ...
... kind of historically specific map of the moral scheme of things in a particular culture . Yes , the Russian melodramas appear like tragedy in their use of the " apparently insoluble situation " ( 247 ) . However , Heilman cautions ...
Side 152
... kind of effort , running throughout the book , which tries to describe , perform , and validate a special kind of knowledge one which would draw out of television just what has already been drawn into it , especially the materi- ality ...
... kind of effort , running throughout the book , which tries to describe , perform , and validate a special kind of knowledge one which would draw out of television just what has already been drawn into it , especially the materi- ality ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
6 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York