Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 131
... ( Interview 19 ) . But how much of a perspective has O'Rourke really revealed here ? By the end of the first half of ... interviews , he received a $ 100,000 grant from the Australian government to make a documentary on any subject he ...
... ( Interview 19 ) . But how much of a perspective has O'Rourke really revealed here ? By the end of the first half of ... interviews , he received a $ 100,000 grant from the Australian government to make a documentary on any subject he ...
Side 133
... interview with which O'Rourke begins is with Aoi's aunt , and he returns to this interview throughout the film . She is an elderly woman , seated ( it appears ) on the ground . She speaks only in Thai , and throughout the interview she ...
... interview with which O'Rourke begins is with Aoi's aunt , and he returns to this interview throughout the film . She is an elderly woman , seated ( it appears ) on the ground . She speaks only in Thai , and throughout the interview she ...
Side 145
... interviewed about the film , " What is in this for him [ O'Rourke ] as an individual and how much is . . . his own personal life at stake in a way compa- rable to Aoi's ? " ( O'Rourke , Interview 19 ) . Despite O'Rourke's failure to ...
... interviewed about the film , " What is in this for him [ O'Rourke ] as an individual and how much is . . . his own personal life at stake in a way compa- rable to Aoi's ? " ( O'Rourke , Interview 19 ) . Despite O'Rourke's failure to ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York