Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 5
... finally evolved a sophisticated theory of the audience for the products of capitalist mass culture , we now find our theories tested . We have our work cut out for us as cultural theorists in the next decade , particularly as we ...
... finally evolved a sophisticated theory of the audience for the products of capitalist mass culture , we now find our theories tested . We have our work cut out for us as cultural theorists in the next decade , particularly as we ...
Side 18
... finally , dream- ing about a husband , she gets some children's shoes and longingly looks at them . One needs to say that Vera Maretskaya is one of a few actresses who allow their heroines , within the boundaries of their roles , to be ...
... finally , dream- ing about a husband , she gets some children's shoes and longingly looks at them . One needs to say that Vera Maretskaya is one of a few actresses who allow their heroines , within the boundaries of their roles , to be ...
Side 45
... Finally , when her black child has been accepted by the Soviet citizens ( the " well - knit family of nations and na- tionalities " ) , she can now understand Russian ( and implicitly the concepts of Socialist Realism ) . Responding to ...
... Finally , when her black child has been accepted by the Soviet citizens ( the " well - knit family of nations and na- tionalities " ) , she can now understand Russian ( and implicitly the concepts of Socialist Realism ) . Responding to ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York