Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 69
... fact , I don't know whether the word " creator " is suitable in the given case . You collected , reworked , and put into form a true story about the great achievements of simple Soviet people . But let me first say a few words about me ...
... fact , I don't know whether the word " creator " is suitable in the given case . You collected , reworked , and put into form a true story about the great achievements of simple Soviet people . But let me first say a few words about me ...
Side 88
... fact sustain its own disloca- tions . It may even exploit them . My response to Burch — my refine- ment of his observation is that Pudovkin employs what I will have to call , somewhat unsatisfactorily , a narrative pragmatics of space ...
... fact sustain its own disloca- tions . It may even exploit them . My response to Burch — my refine- ment of his observation is that Pudovkin employs what I will have to call , somewhat unsatisfactorily , a narrative pragmatics of space ...
Side 131
... fact that this remains ( and is encouraged as ) an unstated presumption can only serve to obscure the parameters of the perspective ostensibly being marked . O'Rourke himself suggests a gap between himself and these other Western men ...
... fact that this remains ( and is encouraged as ) an unstated presumption can only serve to obscure the parameters of the perspective ostensibly being marked . O'Rourke himself suggests a gap between himself and these other Western men ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York