Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 85
... continuity style ( “ Pudovkin ” ) . Eye- line matches , matches on action , and other familiar continuity de- vices figure in Pudovkin's system , and he claims explicitly that con- tinuity is the essential ingredient of filmmaking ...
... continuity style ( “ Pudovkin ” ) . Eye- line matches , matches on action , and other familiar continuity de- vices figure in Pudovkin's system , and he claims explicitly that con- tinuity is the essential ingredient of filmmaking ...
Side 86
... continuity editing . Its very familiarity suggests that it requires little extended elaboration except to explain ... continuity editing . As others have shown , the conceit is open to scrutiny for what it reveals about ideologies which ...
... continuity editing . Its very familiarity suggests that it requires little extended elaboration except to explain ... continuity editing . As others have shown , the conceit is open to scrutiny for what it reveals about ideologies which ...
Side 88
... continuity , may in fact sustain its own disloca- tions . It may even exploit them . My response to Burch — my refine- ment of his observation is that Pudovkin employs what I will have to call , somewhat unsatisfactorily , a narrative ...
... continuity , may in fact sustain its own disloca- tions . It may even exploit them . My response to Burch — my refine- ment of his observation is that Pudovkin employs what I will have to call , somewhat unsatisfactorily , a narrative ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York