Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 41
... completely autonomous start . Alexandrov's Jolly Fellows was shown at the International Film Exhibition in Venice in 1934 and was suppos- edly seen and appreciated by Charlie Chaplin , though it was not until the film had been ...
... completely autonomous start . Alexandrov's Jolly Fellows was shown at the International Film Exhibition in Venice in 1934 and was suppos- edly seen and appreciated by Charlie Chaplin , though it was not until the film had been ...
Side 43
... completely regained the success and appeal of either the public or the directors . The 1956 Carnival Night by Eldar Riazanov steals blatantly from Volga , Volga , including the final aperture direct address . Its star , Ludmila ...
... completely regained the success and appeal of either the public or the directors . The 1956 Carnival Night by Eldar Riazanov steals blatantly from Volga , Volga , including the final aperture direct address . Its star , Ludmila ...
Side 54
... completely secret " telegram . But the same indirect- ness is in Carnival Night as well . Ogurtsov is the 1956 model of “ Comrade Byvalov , " and the role is played by the same actor , Ilinsky . Ogurtsov wants to organize the carnival ...
... completely secret " telegram . But the same indirect- ness is in Carnival Night as well . Ogurtsov is the 1956 model of “ Comrade Byvalov , " and the role is played by the same actor , Ilinsky . Ogurtsov wants to organize the carnival ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York