Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 79
... called the " new montage cinema ” ( montazhnoe kino ) that devel- oped in the Lenfilm Studio . Kovalov's The Gardens of Scorpio has stylistic affinities with the shorter films that came directly from the former underground and now ...
... called the " new montage cinema ” ( montazhnoe kino ) that devel- oped in the Lenfilm Studio . Kovalov's The Gardens of Scorpio has stylistic affinities with the shorter films that came directly from the former underground and now ...
Side 81
... called “ octoderasts , " the 1980s generation . The film seduces us into an intimate and affectionate relation with the historical past . ( At the screening in the United States where many ex - Soviet citizens and émigrés were present ...
... called “ octoderasts , " the 1980s generation . The film seduces us into an intimate and affectionate relation with the historical past . ( At the screening in the United States where many ex - Soviet citizens and émigrés were present ...
Side 112
... called it , inhabited the body , making it do the kinds of things that the Soviets needed to get the people to do in the revolutionary struggle ( Levaco 127 ) . What was needed was a cinema of " provocation " ( Taylor 41 ) rather than ...
... called it , inhabited the body , making it do the kinds of things that the Soviets needed to get the people to do in the revolutionary struggle ( Levaco 127 ) . What was needed was a cinema of " provocation " ( Taylor 41 ) rather than ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York