Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 54
... begins in the very same place where Volga - Volga concluded twenty years before . The object of ridicule in both films is identical : the bureaucrat played by Ilinsky . But the bureaucrat is an authority figure , and by means of the ...
... begins in the very same place where Volga - Volga concluded twenty years before . The object of ridicule in both films is identical : the bureaucrat played by Ilinsky . But the bureaucrat is an authority figure , and by means of the ...
Side 111
... begins with D. W. Griffith . With the restoration of Russian prerevolutionary cinema to its place in cinema history , Eisenstein's fascination with Griffith begins to make more sense . Bauer's melodramas , like missing puzzle pieces ...
... begins with D. W. Griffith . With the restoration of Russian prerevolutionary cinema to its place in cinema history , Eisenstein's fascination with Griffith begins to make more sense . Bauer's melodramas , like missing puzzle pieces ...
Side 148
... begins filming just after his own admission . O'Rourke's offer is conditioned on her quitting prostitution , couched in paternalistic terms ( " It's too dangerous for you here . It's not like before . Many women like you are dying of ...
... begins filming just after his own admission . O'Rourke's offer is conditioned on her quitting prostitution , couched in paternalistic terms ( " It's too dangerous for you here . It's not like before . Many women like you are dying of ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York