Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 43
... audience identification with " the collectively produced shows , [ and ] the myth of integration seeks to give the audience a sense of participation in the creation of the film itself " ( 337 ) . In conclusion , Feuer argues that “ [ t ] ...
... audience identification with " the collectively produced shows , [ and ] the myth of integration seeks to give the audience a sense of participation in the creation of the film itself " ( 337 ) . In conclusion , Feuer argues that “ [ t ] ...
Side 44
... audience reality . Indeed , its operation works in reverse , designed as it is to create the illusion of a filmic ... audience into the Socialist Realist film operates in a much more literal sense . In the Socialist Realist film , the ...
... audience reality . Indeed , its operation works in reverse , designed as it is to create the illusion of a filmic ... audience into the Socialist Realist film operates in a much more literal sense . In the Socialist Realist film , the ...
Side 131
... audience to apprehend the camera as located in that distanced position as well , rather than understanding what appears on screen as the view from O'Rourke's viewfinder . Moreover , this encourages the audience to forget or overlook the ...
... audience to apprehend the camera as located in that distanced position as well , rather than understanding what appears on screen as the view from O'Rourke's viewfinder . Moreover , this encourages the audience to forget or overlook the ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York