Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 85
... Western appropriation of Pudovkin's theo- retical tenets continued uninterrupted through the 1960s.1 - Clearly , Pudovkin's writings proved palatable to a Western audi- ence familiar with Hollywood conventions of continuity filmmaking ...
... Western appropriation of Pudovkin's theo- retical tenets continued uninterrupted through the 1960s.1 - Clearly , Pudovkin's writings proved palatable to a Western audi- ence familiar with Hollywood conventions of continuity filmmaking ...
Side 131
... Western men " he alludes to , but even this gener- alized identification is never directly imputed to him . It is possible ( and perhaps even likely ) that audiences will presume that as one of those " Western men " O'Rourke is white ...
... Western men " he alludes to , but even this gener- alized identification is never directly imputed to him . It is possible ( and perhaps even likely ) that audiences will presume that as one of those " Western men " O'Rourke is white ...
Side 133
... Western men " described in the opening . ― Aoi's national identity is not similarly effaced . By the time this narrative appears on screen the audience has been invited to con- struct Aoi in terms of a specific national image . What I ...
... Western men " described in the opening . ― Aoi's national identity is not similarly effaced . By the time this narrative appears on screen the audience has been invited to con- struct Aoi in terms of a specific national image . What I ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York