Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 134
... Thai identity . It is in this remote locale , interestingly , that one of the film's moments of ( partial ) self - reflexivity occurs . Midway through the film , O'Rourke inserts scenes of Aoi and her aunt together dis- cussing , among ...
... Thai identity . It is in this remote locale , interestingly , that one of the film's moments of ( partial ) self - reflexivity occurs . Midway through the film , O'Rourke inserts scenes of Aoi and her aunt together dis- cussing , among ...
Side 135
... Thai men and bars for foreigners . The aunt's question about O'Rourke reminds the audience that O'Rourke is personally present for this dialogue , and that the participants in front of the camera are conscious of him . This dual ...
... Thai men and bars for foreigners . The aunt's question about O'Rourke reminds the audience that O'Rourke is personally present for this dialogue , and that the participants in front of the camera are conscious of him . This dual ...
Side 146
... Thai — perhaps , precisely because O'Rourke omits him , given O'Rourke's prominent focus on white men as white throughout the film . " According to Thanh - am Truong , although there is extensive collu- sion between the Thai government ...
... Thai — perhaps , precisely because O'Rourke omits him , given O'Rourke's prominent focus on white men as white throughout the film . " According to Thanh - am Truong , although there is extensive collu- sion between the Thai government ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York