Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 4
... Stalinist Musi- cals ? " ( what the West might think to be a contradiction in terms ) , can be interpreted in two ways : Why think about Stalinist musicals ? and , Why make Stalinist musicals in the first place ? To answer these ...
... Stalinist Musi- cals ? " ( what the West might think to be a contradiction in terms ) , can be interpreted in two ways : Why think about Stalinist musicals ? and , Why make Stalinist musicals in the first place ? To answer these ...
Side 47
... Stalinist musical genre focuses on sexual difference , but whereas the female body was generally objectified and used as spectacle in the American musical , sexual difference in Stalinist cinema was coded via Socialist Realist tenets ...
... Stalinist musical genre focuses on sexual difference , but whereas the female body was generally objectified and used as spectacle in the American musical , sexual difference in Stalinist cinema was coded via Socialist Realist tenets ...
Side 77
... Stalinist epoch appears here as a great festive occasion , an illustration of Stalin's famous statement that " Life ... Stalinist grand style . The Abyss begins with docu- mentary footage of the 1930s which is not used to authenticate ...
... Stalinist epoch appears here as a great festive occasion , an illustration of Stalin's famous statement that " Life ... Stalinist grand style . The Abyss begins with docu- mentary footage of the 1930s which is not used to authenticate ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York